Often drawing inspiration from rocks and geological formations, my creations encourage a connection to nature and mental wellbeing. By repurposing recycled textiles and employing traditional techniques such as natural dyeing, patchwork, and needlework, I aim to spark deeper appreciation for craft while opening discussions around the environmental impact of textiles. My work advocates for resourceful, sustainable lifestyles, embracing the beauty in reinvention and reuse.
In this project, I have drawn upon the rich heritage of Japanese textile techniques, including shibori and boro, both of which transform worn or discarded textiles into functional and beautiful forms. Shibori, a centuries-old resist-dyeing method, involves folding, twisting, and binding fabric to create intricate patterns, often in indigo. This meticulous process embodies mindfulness, skill, and patience, qualities that resonate deeply with my approach to making. For this work, recycled textiles have been individually hand-dyed in an indigo vat, pattern-cut, patchworked, and stitched together to highlight the meditative, tactile, and transformative qualities of Japanese craftsmanship.
The resulting sculptures, a series of three large textile stones, reflect both the balance of ancient traditions and the act of stone balancing as a form of self expression which has roots in prehistoric global cultures. These textile stones invite viewers to pause and reflect, honouring the natural world while considering paths forward in sustainability and environmental care. By revisiting historic techniques and philosophies, this work proposes that looking back can guide us toward a more thoughtful and regenerative future.
Boro Bookmark Workshop at Embassy of Japan
Public Workshop: Exploring the traditional Japanese craft of Boro stitching using recycled and reclaimed fabrics to make a own unique tactile bookmark
